Helmed by Bristol sound co-founder the musician-producer, this scabrous though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a darkly funny standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film is in British and Irish theaters from November 17.
